In my last post I talked about my recent visit to the
Valentino, Master of Couture exhibition at Somerset House and shared some of my
favourite outfits on display there.
As well as being a visual feast, the garments on show got me
thinking about sewing in general, the things I might choose to make and how I
might change those decisions in the future. I was expecting to along and ooh and aah at all the gorgeousness, but
I think I actually learned quite a lot from Mr Valentino Garavani in the
short time I spent in the presence of his creations.
Simple, classic shapes never look dated
Last time I told you that this dress was my favourite of all
the 130+ outfits on show. It was
designed in 1959, but to my eye the design doesn’t look more than 50 years old.
This gorgeous red evening dress is a creation from 1965, but this wouldn't look out of place on the red carpet today.
Conversely, this dress from 1987 couldn’t be from any other
period! I couldn’t imagine anyone
wearing a dress like this now.
Lesson learned: While it’s nice to make fun, “trendy”
garments, if you want to make something that will last, make a classic design.
Plain fabrics look classier
The vast majority of the outfits on display were plain
colours, often a single colour throughout the whole outfit. White, black, red and pink featured heavily
and even very bright or strong colours generally looked classier and more
expensive than patterned or multicoloured ones.
Lesson learned: don’t instantly dismiss plain as
boring. Pattern can be wonderful, but
you can have too much of a good thing.
Clothes made from plain fabrics are easier to mix and match as well!
Lesson learned: don’t always go for the ordinary, explore
alternative fastenings and finishes that will result in a totally unique
garment.
“Perfection” is not always perfect
This dress, from 1967, has its hem finished with bias
binding.
I was amazed to find that the
diagonal seam on the bias strip was directly at the front of the dress. If using a similar hem finish myself I would
have tried my hardest to hide the seam at the centre back.
There were also a couple of long coats, I think from the
1970’s, that weren’t lined. While it was
nice to see what seam and hem finishes had been used, I was very surprised that
a couture coat wasn’t lined.
Lesson learned: Don’t be too hard on yourself when it comes
to finishing. Of course, we all want our
finished garments to look as professional as possible, but as you can see
sometimes the professionals aren’t “perfect”.
Is anyone else going to notice where the seams in your bias strips are? If not, then perhaps you shouldn’t worry too
much.
On another, but still Valentino related, note I have been very naughty. I was a bit disappointed that there wasn't a(n affordable) book or catalogue available for purchase at Somerset House. The little exhibition shop did have some books, in a glass case and priced in excess of £200 - possibly even in excess of £300!
Don't worry, I haven't gone totally mad and bought one, but I have bought a copy of Valentino: Themes and Variations from Amazon. I can't wait for it to arrive.
OK, I think I'm Valentino'd out for now. I'll try and make my next post about something else.
This is a really interesting post - I'm just catching up Sam. i like how you shared your lessons learned, & really like the sound of the "bow buttons". Great that you have treated yourself to a book just to keep your inspiration alive ...
ReplyDeleteThank you Winnie. Now all I have to do is put some of this into practice! The book is wonderful, by the way.
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